The Social Responsibility of Hip-Hop

Hip-Hop is no longer limited to rap music and breakHerc and others. Rap, graffiti, spoken word are all part
dancing; today it represents a multi-billion dollar industryof hip-hop. There, of course, is much more that is
that influences everything from fashion to prime- timehip-hop, but you wouldn't know it through playing video
television programming, professional sports, massgames that are based on hip-hop.
media marketing and advertising. Today Hip-Hop isTJ Crawford, founder and executive producer of the
becoming a way of life, a culture that is intricatelyMPR Report, a radio talk show airing weekly on
woven into every aspect of young people's daily lives.WVON 1690 AM, has said, "It's beyond just hip hop, it's
Artists like Talib Kweli, Mos Def, Public Enemy, 2Pacbeyond just a generation, This is about people who
(to some extent right?) and many more use hip hop towant better for their people and recognize the power
describe the social inequities of the Black communitythat is in the music. People who move in that same
and the inner city. They are putting a very human feeltype of spirit are trying to see who they can connect
to issues that are calloused by misinterpretation andwith to take it to that next level."
exoticism and sensationalization. Artists like 50 CentOpportunities are few outside of the ghettos;
and the genre of 'gangsta rap' have becometherefore, their language focuses on their world. Instant
extremely popular in America today, in part becausegratification reflects the short life expectancy. Thus,
of corporate manipulation and the large, multiracialwhen money is gained, it is for conspicuous
audience that now exists for hip-hop music.consumption. Hip hop is the culture of a people who,
Hip-hop is an expression of the social, political andseparated from mainstream society, turn into
economic problems associated with living in urbanthemselves to create their own standards of survival
areas. Since African-Americans are the dominatein a hostile world.
group in urban centers, their influence is the largest onHowever, those that continue to proclaim "victim,
urban music. Hip-hop lyrics, with their emphasis onvictim" will never realize beyond their "victimhood." With
"keepin' it real" and marked by a colossal indifferencehip hop having such a big influence today, more than
to mainstream taste, became an equally powerfulever before, it is enlightening to see some
influence on young black men. These two influencesorganizations realizing a responsibility to protect the
have created a brand-new, brand-name generationintegrity of such a powerful influence. This is brought
that refuses to assimilate but is nonetheless anabout by public education organizations, dedicated to
important part of mainstream American culture.raising public awareness about social, cultural, political
Legendary hip hop icon Darryl "DMC" McDaniels, of theand economic issues important to the hip-hop
pioneering hip hop group RunDMC, told a crowdgeneration in America and throughout the world.
recently that what they see on television in musicOne such organization, the Hip-Hop Summit Action
videos is "show business" and not a true reflection ofNetwork which was founded in 2001, is dedicated to
what hip hop represents. "The whole purpose of hipharnessing the cultural relevance of hip-hop music to
hop is to inspire, to motivate and to educate. It is theserve as a catalyst for education advocacy and other
transfer of information whether you are in the ghettosocietal concerns fundamental to the well being of
or Beverly Hills. Hip hop is about the life weat-risk youth throughout the United States. HSAN is the
live-especially for Black people," DMC said. "Hip hoplargest non-profit, worldwide coalition of hip-hop artists,
was created to make it known that we as a peopleentertainment industry leaders, education advocates,
are in charge of our purpose and our destiny. The truecivil rights proponents, and youth leaders united in the
purpose of hip hop was not just to create rappers," hebelief that Hip-Hop is an enormously influential agent for
added.positive social change which must be responsibly and
Rapping developed both inside and outside of hip hopproactively utilized to fight the war on poverty and
culture, and began with the street parties thrown in theinjustice.
Bronx neighborhood of New York in the 1970s by Kool