| Also known as MB or MBC. | | | | are recombined at the output. |
| These divide the incoming audio signal into multiple | | | | The main advantage of multi-band compression is that |
| bands, with each band being compressed | | | | a loud event in one frequency band won't trigger gain |
| independently from the other. | | | | reduction in the other bands. |
| The beauty of this is that with full band compressors, | | | | Another feature of the multiband compressor is that |
| that we have been discussing till now, the whole signal | | | | you are offered crossover points. This is crucial, as |
| is treated, so when a peak is detected, the whole | | | | you are given control over where to place the |
| signal is compressed and so other frequencies are | | | | frequency band. Setting these crossover points is the |
| also subject to compression. | | | | heart of the compressor and crucial in processing the |
| Multiband compression only compresses the | | | | right frequency spectrum with the right settings. |
| frequency bands chosen, so a more fluid and less | | | | For example: if you are treating the vocals in the mid |
| abrupt result is gained. Instead of having one peak | | | | range but put your low end crossover too far into the |
| trigger the compressor into compressing the entire | | | | middle range, then the low end compression settings |
| signal, the multiband allows for individual bands to be | | | | will also affect the mid range vocals. |
| compressed. | | | | Multiband compression can either be a friend or |
| On some compressors, you even have the option of | | | | enemy. It all comes down to how you use it and when. |
| selecting bands that will not undergo any treatment. | | | | It can be a great compressor for controlling |
| In essence, a multi-band compressor comprises a set | | | | problematic frequencies, or for boosting certain ranges |
| of filters that splits the audio signal into two or more | | | | in isolation to others. |
| frequency bands. | | | | Use with care! |
| After passing through the filters, each frequency band | | | | Excerpt taken from Mixing Simplified. |
| is fed into its own compressor, after which the signals | | | | |